To support Putins wrongful argument that Ukraine doesnt have a culture and history independent of Russia, his forces figure they can simply bomb away the countrys cultural heritage. The Center for Folklife and Cultural Heritage is a research and educational unit of the Smithsonian Institution. Particularly strong are collections of traditional music, occupational folklore, narrative, immigration, and family folklore. [note 1] Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.[2]. (2011) Leiden; M.Phil. The ambassador noted that, with the destruction of museums, archives, libraries, cultural and religious sites, theaters, and other places of social significance, the Russian military is attempting to erase a people, to purposefully eliminate the sense and spirit of their claim to nationhood and sovereignty. They focus on American, and more specifically Euro-American, African American, Caribbean and Native American musical and performance traditions. Research specialties: Latin American and Latino studies, American cultural history, material culture, folklife. Julia Lopez, a needle craft artist from California, demonstrates Mexican stitchery at the 1978 Festival of American Folklife. Contact Soeun directly . B.A. B.A. Rather, they suggest a targeted attack on Ukrainian history, culture and identity, a means toward Putins endsthe destruction is a deliberate attempt to obliterate Ukrainian history and culture. University of California, Los Angeles. Contact:Leopold@si.edu. Spirit in the Dark: Religion in Black Music, Activism and Popular Culture Building Arts and Traditional Architecture. The task at first was overwhelming. Poshyvailo and fellow expert Vasyl Rozhko quickly formed the Heritage Emergency Response Initiative (HERI), an organized network of Ukrainian cultural workers, aiming to gather money and supplies, make deliveries, provide advice, and help secure and safeguard facilities and collections. How to Move 4,400 Boxes of Irreplaceable Stuffand Then Move (Almost) Everything Back, Center Initiates New Partnership to Promote Women Artisans in Central Asia, Virtual Craft Exchange Program Develops into In-Person Classes in Kazakhstan, Language Vitality Initiative Releases Case Studies on Minoritized Language Use in Europe. Research specialties: Asian American history and culture, Los Angeles history and culture, urban history, public history, vernacular landscape. It follows international standards in collecting and storing digital evidence for potential legal proceedings and seeks confirmation of damage and destruction from detailed satellite imagery and on-the-ground reports. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. Together they reflect diverse aspects of the Black religious experience and testify to the role religion has played in the struggle for human dignity and social equality. In 2017, the label reached 251 million listeners through radio, online streaming and sales. Educational projects including items like teachers guides, guides to oral history, and lesson plans for learning about particular traditions are distributed online and in hard copy. The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . Research specialties: Cultural heritage studies, ethnomusicology, Asian studies, cultural policy, Indonesian performing arts, education, development studies, international relations. The 10-day event provides a platform for cultural exploration, exchange and engagement. To date, almost 1,600 cases of potential damage to Ukrainian cultural heritage sites have been documented, including some 700 monuments and memorials, and more than 200 museums, archives and libraries. Research specialties: Material culture, folklore and education, public programming. (2009) University of Hawaii at Mnoa/East West Center; M.A. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. B.A. [6] This was non-standard for the Smithsonian, and guaranteed to provoke curators accustomed to operating in orderly museum buildings.[7]. In 1987, the office purchased the Folkways music collection which became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. nmaahc.si.edu. Ripley, S. Dillon. B.A. B.A. (1988) Brown University; M.A. This new platform is one of the ways in which the center is working to implement a strategic plan goal of convening conversations on topics of importance. There are restrictions for re-using this image. A Lithuanian blacksmith demonstrates his skills in the Baltic Nations program during the 1998 Smithsonian Folklife Festival. (1991), Ph.D. (1998) University of California, Los Angeles. Since then, the label has expanded on Asch's vision of documenting and preserving music and soundscapes from around the world. B.A. (2012) Leiden. Turning attention to Ukraine, a lab analyst noted an increase in the building of public monuments in Crimea and the Donbas91 of them. B.A. Research Associate. (1970) Williams College; M.A. (1974), Ph.D. (1981) University of Chicago. Contact:ButvinHM@si.edu, Clark, Logan,Executive Assistant, Smithsonian Folkways. Research specialties: American folklife, material culture, building arts, occupational folklife, Italian-American folklore, culture and aging, oral history, cultural and linguistic sustainability, public programming. Introduced as a concept in the Brundtland Report published in 1987, sustainable development was originally defined as encompassing three domains: environmental, economic, and social. We work with communities in the United States and around the world to encourage the understanding, appreciation, and vitality of humanitys diverse living cultural heritage. B.A. Seeger, Anthony, Smithsonian Folkways Recordings Curator and Director Emeritus. Smithsonian Center for Folklife and Cultural Heritage Jun 2022 - Present 9 . Music HerStory explores these contributions through unique media collections from across the Smithsonian. Contact:SeitelP@si.edu, Smith, Stephanie, Research Associate. National Museum of African American History and Culture (1979) State University of New York at Binghamton; M.A. Visit the IIIF page to learn more. Advisory Council Member at Smithsonian Center for Folklife and Cultural Heritage The Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education, and community engagement. With most of the worlds languages severely threatened, thousands of language communities have committed to revitalization eorts, from documentation and renewal to maintenance. As in other regions of Europe, the population of the geographic region of modern Ukraine reflects a diversity of ethnic migrations and cultural influences, as well as a succession of political rulers and changing boundaries over millennia. B.A. Major projects have included the Anthology of American Folk Music, the Smithsonian Anthology of Hip-Hop and Rap, and numerous series on the music of Central Asia, the Andes, and other regions. Eliot Elisofon Photographic Archives, African Art, Center for Folklife and Cultural Heritage. At the outset of the Russian invasion, Ukrainian cultural officials and leaders responded quickly to protect facilities and collections from the shelling and bombing. Director, Smithsonian Folklife Festival. The Archives documents the Centers work on the Smithsonian Folklife Festival and Smithsonian Folkways, and contains the recordings, photographs, papers, and objects related to several historical record labels. Opportunities for scholars include studies of cultural representation and cultural sustainability, collaborative research in specific areas of staff or programmatic interest, and projects involving a wealth of archival materials documenting the cultural traditions of communities in the U.S. and around the world over the last 80 years. B.A. (1993), A.B.D. A third team involved in the more theoretical work on "cultural policy". Rinzler worked at the center until his death in 1994. Box 37012, MRC 520 Washington, D.C. 20013-7012. B.A. Sometimes collections are in disarray, evidence of hurried packing and evacuation. Eliot Elisofon Photographic Archives, African Art. Director:Michael Atwood MasonTotal Full-Time Employees:45Annual Budget (federal, trust and business activities) FY 2017:$10 million. [12] By acknowledging culture to be independent and separate from the social development of individuals, it recognizes the power and role of cultural structures and forms to give shape and meaning to a social group. Toward the end of the fierce battle for Kherson in November 2022, museum staff at the Kherson Regional Art Museum reported that dozens of Russian specialists and aides haphazardly loaded two trucks with some 10,000 artworks without proper packing. [9], The Archives' holdings were seeded by the business records of the Folkways Record label, which were acquired by the CFCH in 1987, and contain the business files of Lead Belly, Pete Seeger, and Woody Guthrie among others. The minister asked the Smithsonian if we could determine its status from satellite imagery. UNESCO arranged online meetings bringing together Ukrainians with European and American counterparts to discuss needs, resources and responses. How can we ensure that ancient manuscripts best survive freezing temperatures, given the lack of heat in winter? B.A. (2012) Leiden. By 2003, the follow-up treaty was entitled the Convention for the Safeguarding of the Intangible Cultural Heritage. The center is a research and educational unit of the Smithsonian that produces the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, exhibitions, symposia, publications and educational materials. Email powered by MailChimp (Privacy Policy, Terms of Use), Kronos Quartet, Rinde Eckert, Vn-nh Vanessa V. Hawaii was the featured state in the 1989 Folklife Festival from June 23 - July 4. Crucial investigations are underway that will one day provide an accounting of Russias devastating war crimes. Polish organizations lent tremendous logistical help. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. (1983), Ph.D. (1991) Indiana University. B.A. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). B.A. Intern at Smithsonian Center for Folklife and Cultural Heritage Portland, Oregon, United States . Our curators and scholars, drawn from folklore, anthropology, ethnomusicology, and a broad range of cultural studies, are distinguished in their practice of collaborative research and representation. As with all archives, the Folklife Archives is currently working to move its entire collection into digital format, thus enabling global access to the artifacts. Included in the more than 3,000 albums are the recordings of Woody Guthrie, Lead Belly, Pete Seeger, Bill Monroe, Doc Watson, Ella Jenkins, Bernice Johnson Reagon and thousands of others; civil rights movement songs and speeches; the poetry of Langston Hughes; historical Native American traditions; varied regional and immigrant songs; and music and spoken word traditions from across the globe. Pakistani Hand-Painted Truck at Smithsonian Folklife Festival, 2007. (1967) Harvard University; M.A. M.A., Ohio State University. A variety of research projects undertaken by the Center and its staff document cultural traditions and address issues of heritage policy and professional representation practices that result in books, chapters, journal articles and other products. (1979) State University of New York at Binghamton; M.A. In a September 2022 presentation in New Yorks Ukrainian Museum during United Nations General Assembly week, Ukraines first lady Olena Zelenska and Ukrainian Ambassador to the U.S. Oksana Markarova clearly articulated this point. As the one-year anniversary of the deadly 2022 Russian invasion of Ukraine approaches, we take a close look at the ongoing work of hundreds of professionals across a landscape of Ukrainian and international organizations to defend endangered cultural heritage. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. For more information, visit the Smithsonian's, International media Interoperability Framework. Satellite photography of the museum on February 14, 2022, prior to the invasion, shows the museum roof and surrounding area covered by snow. Despite this, in 2014 Putin pursued his territorial ambitions by supporting ethnic Russian separatists in the Donbas region and forcibly taking Ukraines Crimean Peninsula. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). Research Associate. Folklorist, Curator, Education Specialist. Dr. Richard Kurin, the Smithsonians Distinguished Scholar and Ambassador at Large, has served as the institution's Under Secretary and as director of the Center for Folklife and Cultural Heritage, among other leadership roles over his four decade-long Smithsonian career. In 2015, UNESCO inscribed the Moses and Frances Asch Collection into its Memory of the World International Register. library.si.edu. Once approved by Ripley, Morris hired Ralph Rinzler to help him produce this festival for the upcoming summer 1967. B.A. Noting the Smithsonians mission as a national and international cultural institution to help protect heritage in times of war, Smithsonian Secretary Lonnie G. Bunch III declared: The Smithsonian stands with the people of Ukraine during their most urgent time of need. SCRI, coordinating with Aliph and working with Poshyvailo, arranged to send needed funds and supplies through its long-standing partner in the Netherlandsthe Cultural Emergency Response. It is open to guest researchers and other visitors by appointment. Contact:Diaz-CarreraC@si.edu, Holmgren, Meredith,Curator, American Womens Music. B.A. The record label originated as the Folkways Records of Moe Asch, which were donated to the Smithsonian in 1989 under the unique condition that all records in the collection remain available "forever", regardless of sales. 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